Dancing Chapters

one finalised component of the front cover

The preparations for publishing The Boy with Two Heads have fallen into three distinct sections: the cover, the text, and the prelims/endmatter. All three progressed today at our Trifolium production meeting.

Connie and I worked on the layout of the pages of text. Making the space consistent between the end of one chapter and the beginning of the next sounds quite straight forward. However, the built-in formatting means that no paragraph of three lines or less can be split between two pages. Most of my paragraphs are short, to help the story move along faster. So when we introduced the spaces above the Chapter Headings the text began dancing around all over the place. We got the giggles in a despairing sort of way, but sorted it in the end. I wrote extra dialogue in a few places to push the Chapter Heading onto the next page. But mostly I made the text above the Heading shorter (this is a very good intellectual exercise!) to raise it towards the middle of the page.

one component of the back cover

Now was the time to review the names of the chapters. We agreed that single words would be best where possible, so I had a lot of fun adding such titles as ‘rupture’, ‘curse’,  ‘secrets’, ‘oracle’, and some more mundane ones, such as ‘home, ‘uncles’, and ‘work’.


Meanwhile, Kate sorted the last details of the cover before she gets the template. We know the exact number of pages at last, so the template can be ordered to the right size. 

one of the three maps
from The Boy with Two Heads

She also began on the maps. I can hardly believe how good my sketch maps look after her clean-up and addition of neat lettering and frames round the keys.

My Olympics novel

Progress on The Boy

Last weekend I spent an afternoon and evening working with Kate of Amber Images on the cover of The Boy with Two Heads. And this weekend I’m working on the final check of the text and its styling. So there is progress!

There was a photograph of a statue we had seen on the internet that we wanted to use on the cover but we needed permission from its owner. After many emails and phone calls (the owner works for a huge international corporation with offices in London and the phone answering mechanism does not allow you to speak to a human being) and a visit to the offices where I was not allowed even to leave a message, we decided to try our fallback solution.

Alexandra, who lives in Athens, had taken some photos of the same statue. She sent them to us by email, but Kate and Connie felt that none of them would be crisp enough to use on a book cover. However, in the circumstances, Kate was prepared to have a go with one of them.

The Youth of Antikythera
Alexandra's 'before' photo

Kate's 'after' photo (with a little
help from Photoshop)

I cannot thank Alexandra (who held her camera way above her head to get a level image of the face) and Kate (who has a winning combination of patience and skill) enough for this image of the Boy, Themis.

The statue is called the Youth of Antikythera and is two metres tall. It was found in heavily corroded pieces at the bottom of the sea off the island of Antikythera in 1900. Elisabeth Myers has written a detailed thesis on it and Wikipedia also has a page about it where you can see how high Alexandra must have reached! It is now in the National Archaeological Museum in Athens, along with hundreds of other amazing works of art from Ancient Greece. The Youth of Antikythera was their Object of the Month for January this year.

While Kate was working on this and other aspects of the cover, I was fascinated by her pet snake, two cats and a puppy. The snake lives in a huge glass tank and eats a mouse every week or two. Kate says he’s more than a metre long and three or four centimetres in diameter in the middle, but I only saw his head poking out from behind his log. He yawned at me.

The cats were almost as lazy, but easier to stroke… And the puppy was just adorable, a bundle of fluff either constantly on the move or flat out asleep on the carpet.

By the end of a day when all I had done was play with the animals and answer some questions as to preferences, magically we had the main components of the cover in place! Connie of Trifolium Books has put this picture on her blog, too. It's not 100% perfect, but we all feel it's getting there.

No biting, no gouging ... and flowers

The more I research the arts and writings we still have from Ancient Greece, the more connections I find with aspects of modern life.

I saw the movie ‘Warrior’ the other day. It’s about a Mixed Martial Arts (MMA) tournament in which the two finalists are estranged brothers. I was interested because MMA is similar to the Ancient Olympic sport of pankration. This was a combination of boxing and wrestling which famously had no rules except ‘no biting and no gouging’. It seems to have started at the 33^rd Olympic Games in 648 BC but has never been included in the Modern Olympic Games, even in 1896 when they began.

They say that even the no biting, no gouging rule was ignored by the Spartans, who were trained to use any method possible to win in a battle. So Spartans were barred from competing in the pankration of the Ancient Olympic Games. They were too dangerous!

According to the Wikipedia page, ‘In Greek mythology, it was said that the heroes Heracles and Theseus invented pankration as a result of using both wrestling and boxing in their confrontations with opponents. Theseus was said to have utilized his extraordinary pankration skills to defeat the dreaded Minotaur in the Labyrinth. Heracles was said to have subdued the Nemean lion using pankration, and was often depicted in ancient artwork doing that.’

Taken by Yair Haklai in 2008, St Petersburg

The fighting in ‘Warrior’ includes a bewildering series of techniques of striking and grappling and submission holds. There is a statue that shows a submission hold in the Uffizi Gallery in Florence. It is a Roman marble copy of a third century BC Greek bronze and is known as the Uffizi Wrestlers. This photo is of a copy of it (a copy of a copy!) in the Yusupov Palace in Saint Petersburg.

There’s a story in Pausanias (translated by Peter Levi) about a pankratiast or all-in-fighter called Arrachion of Phigalia. He had won twice in previous Olympic Games and in the final bout of the 54^th Olympiad (564 BC), he was caught by his opponent in a strangle-hold. As he tried to get out of the hold, he broke his opponent’s toe. The opponent submitted because of the pain, but just at that moment Arrachion died in the strangle-hold. Arrachion’s dead body was proclaimed the winner. As I watched the story of ‘Warrior’ unfold, I wondered whether something similar would be the climax. If you haven't seen it, I won’t spoil the ending for you …

I’ve been away for ten days visiting relatives and came back to Cumbria to find snowdrops, crocuses and cyclamen out in the garden. This is earlier than usual by two weeks or so. 

I particularly love the cyclamen at this time of year. In Greece they flower from now until the heat begins in April and the autumn ones flower from September through to December. So as long as there’s rain there are wild cyclamen among the rocks and scrub on the mountains. In The Boy with Two Heads I had them garlanding a statue of Pan, god of wild places.

Talking of The Boy with Two Heads, Connie is now working on the text layout. We met on Saturday and decided on various design features and spacings. Because the story is told partly in extracts from blogs and diaries, we have had to use two different fonts and various heading styles. Our own two heads were better than one again, especially as one of the decisions was to do with running heads! The cover is still causing problems, but the whole is progressing, though more slowly than anticipated - as always in my long experience of publishing.